Dylan+Thomas

**Dylan Thomas **



Biography

Born October 27,1914 in Swansea. He was born into the middle class to the parents of Florence Hannah (Williams) and David John Thomas. His father was an English master at Swansea Grammar School, where Dylan was a student. He began writing poems at a young age when he was not doing well academically, so he left school and worked as a reporter on the South Wales Daily Post. He left the Post when he was eighteen years old. His poems began being published in school magazines. However, his "big break" came in September 1933 when the Sunday Referee printed a sample of his work. A year later, his first book was published, Eighteen Poems, and it met with a mixed reception. During this period of his success, he developed alcholism. in 1934, at the age of twenty, he moves to london and wont the Poet's Corner book prize. Two years after the publication of Eighteen Poems, he met a dancer named Caitlin Macnamara at a pub. The two engaged in an affair and in 1937 proceeded to get married. The marriage was very turbulent with rumor of the two having separate affairs. In 1940, the two moved to London and he served as an anit-aicraft gunner but was rejected for more active combat due to his illness. In order to avoid the aur raids, the couple left London and eventually settled in Laughmarne, in the Boat House. Here, Thomas continued to write his poems. In 1950 Thomas visited America for the first time at the age of 35. he engaged in reading tours in the US which increased his popularity majorly. Thomas toured America a total of four times and his last public engagement took place at the city College of New York and a few days after this collapsed in the Chelsea Hotel after a long drinking binge. He died in St. Vincent's Hospital in New York City at the age of 39.


 * ~ Works Cited ||
 * "Thomas, Dylan." //EBSCOhost//. Columbia Electronic Encyclopedia, 6th Edition, 1 Oct. 2009. Web. 14 Apr. 2010. . ||

Dylan's Literary Style: Thomas's style of writing was very unique. He uses a complex imagery is based on sources, including Welsh legend, Christian symbolism, witchcraft, astronomy, and Freudian psychology. His early writing is a bit difficult to understand due to the private myth he created. Thomas's themes are very traditional, including love, death, and mutability. Thomas's poetry written up to 1939 is mostly concerned with "introspective, obsessive, sexual, and religious currents of feeling." His writing seemed to be as if he was arguing rhetorically with himself on the subjects, specifically "sex and death, sin and redemption, the natural processes, creation and decay." Over the years, he passed from a religious doubt in God to joyous faith in Him. To attract his readers, he uses his mastery of sound, love for life, and his warm humor.


 * ~ Works Cited ||
 * = "Thomas Dylan." Encyclopedia Britannica, 2008. Web. 14 Apr. 2010. . ||
 * = Witherbee, Amy. "Dylan Thomas." //Middle Search Plus//. 2003. Web. 14 Apr. 2010. []. ||

Poems by Dylan Thomas:

[[image:http://www.jasonbooks.co.nz/wp-content/uploads/2009/08/dylan-thomas-01.jpg width="140" height="168" align="left"]] "Death and Entrances"
On almost the incendiary eve Of several near deaths, When one at the great least of your best loved And always known must leave Lions and fires of his flying breath, Of your immortal friends Who'd raise the organs of the counted dust To shoot and sing your praise, One who called deepest down shall hold his peace That cannot sink or cease Endlessly to his wound In many married London's estranging grief.

On almost the incendiary eve When at your lips and keys, Locking, unlocking, the murdered strangers weave, One who is most unknown, Your polestar neighbour, sun of another street, Will dive up to his tears. He'll bathe his raining blood in the male sea Who strode for your own dead And wind his globe out of your water thread And load the throats of shells with every cry since light Flashed first across his thunderclapping eyes.

On almost the incendiary eve Of deaths and entrances, When near and strange wounded on London's waves Have sought your single grave, One enemy, of many, who knows well Your heart is luminous In the watched dark, quivering through locks and caves, Will pull the thunderbolts To shut the sun, plunge, mount your darkened keys And sear just riders back, Until that one loved least Looms the last Samson of your zodiac. = Literary Analysis = Dylan Thomas's "//Deaths and Entrances,//" reflects on the human feeling of grief. Thomas reportedly wrote the poem to Londoners, during the anticipation of "the imminent invasion of Britain." Thomas's poem uses the metaphorical "underpinning of an expected air raid." It shows the different sides of an enemy, one who is unknown, and a loved one who lies close to the heart, and describes who they are before the moment of their death. The mood of the poem is certainely dark and saddening, set by his theme of death. Critic James A. Davies sees the poems as a "heroic assertion of the value of poetry in defying war." Whether or not that is the direct translation of what the poem reflects, the concept of intense human suffering is certainly present. George Weick writes in his analysis of the poem, "In war, suffering and grief become public as well as private matters, irresistibly drawing strangers together in what Thomas depicts as an almost mystical union." He finds an amazing, and touching way, to connect strangers and basically merge them into one grieving and suffering unit.
 * ~ Works Cited ||
 * Weick, George P. "Thomas's Deaths and Entrances." //Biography Reference Bank//. 2004. Web. 14 Apr. 2010. . ||

 = "Love In the Asylum" = A stranger has come To share my room in the house not right in the head, A girl mad as birds

Bolting the night of the door with her arm her plume. Strait in the mazed bed She deludes the heaven-proof house with entering clouds

Yet she deludes with walking the nightmarish room, At large as the dead, Or rides the imagined oceans of the male wards.

She has come possessed Who admits the delusive light through the bouncing wall, Possessed by the skies

She sleeps in the narrow trough yet she walks the dust Yet raves at her will On the madhouse boards worn thin by my walking tears.

And taken by light in her arms at long and dear last I may without fail Suffer the first vision that set fire to the stars.

​ = Literary Analysis = In "Love In the Asylum," Dylan Thomas's writing themes of love and decay are combined to tell a story of a man's twisted love for a crazy woman. From the beginning of the poem, the woman is identified as a "stranger," indicating the major change that has taken place within the couple's home. The state that the man's lover is in is compared to a "nightmare," which can lead to te reader's questioning of why he is staying with her. The woman is described as "possessed" to the point where she is sent to a madhouse. However, despite her crazy and nightmarish actions, it is obvious at the end of the poem that the man will continue to love and adore her even through the difficult times. The symbolic image of stars conveys the idea that their love can, and will, go the distance. The poem shows a striking comparison of the relationship between Thomas and his wife, Caitlin. The couple's relationship "notoriously tempestuous, blighted by drunken brawls and mutual infidelity until the poet drank himself to death at the age of 39." According to reports, Caitlin had burs into Thomas's hospital room, while he was on his death bed, asking: "Is the bloody man dead yet?" Dylan and Caitlin obviously had a twisted relationship, but overall, the couple continued to love eachother until the very end. Evidence lies within Caitlin's private journal, which was revealed more than half a century after Dylan's death, and in a private letter Dylan wrote to Caitlin before his death. The letter read, "I shall be with you, my true love until death & forever afterwards."


 * ~ Works Cited ||
 * < Dalya Alberge Arts Correspondent. "She Wanted Him Dead but Now Her Secret Diary Reveals Wife's Undying Love for Dylan Thomas." //EBSCO//. 8 Nov. 2008. Web. 14 Apr. 2010. . ||

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